Peter Cullen is a legendary voice actor. Notably, he’s voiced Optimus Prime of The Transformers since 1986. Some of his other voice acting credits include Gremlins, Chip N Dale Rescue Rangers, Winnie the Pooh and literally hundreds of others. My personal favorite are his epic narrations from the fabled Toonami Promos of the early 2000s. These promos would be used as bumpers between regular programming and often would promote special films to be featured during the Toonami programming block on Cartoon Network.
The Big O promo easily sits at the top of my list. Not only is Big O one of the best animated series ever created, but this Toonami Promo is slammin’. The duet of Peter Cullen’s deep but stoic concentrated voiceover and the electronic flat beat-esque house background track gets me amped every time. These kinds of bumpers just don’t get cut like they used to. It’s an absolute banger of a promo:
I’m fairly sure Peter Cullen even voiced other Adult Swim promos as well. Surely there’s some Cullen VO just sitting in the Williams Street video archives. If you have access to these or know someone who does, please email me. Until then, here’s some other Cullen Toonami Promo gems I have saved:
In Victorian London (but not as we know it), the physically deformed scientist Dr. Godwin Baxter (Willem Dafoe) has lovingly — if irresponsibly — saved the life of a young woman who jumped off a bridge by transplanting the brain of her unborn baby into her own head and re-animating her (yep). He christens her Bella (Emma Stone) and sets to work accelerating her mental development to match her body with the help of Max McCandles (Ramy Youssef), a budding surgeon who comes to love this gleefully unfettered woman-child. Finding herself to be “a flawed, experimenting person” who is into masturbating in a big way, Bella decides that before she is married off to a life of relative imprisonment with Max and her father, she must see and explore the world, setting off for a sexual odyssey with debauched lawyer Duncan Wedderburn (Mark Ruffalo, never more hysterically funny than this).
Holy shit. Sign me up. Full disclosure, I absolutely hated The Lobster. But, I will always give Lanthimos the benefit of the doubt. His films are hard to love for obvious reasons, most notably, his cold and cruel worlds are full of stoicism and absurdity that is just relentless. However, Poor Things appears to have some levity and stylistic frivolity unseen in his previous works (I mean Dogtooth was just so unbelievably bleak). So, I’m a little excited for this one.
A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. There, death comes to an end, and life finds a new beginning. A semi-autobiographical fantasy about life, death, and creation, in tribute to friendship, from the mind of Hayao Miyazaki.
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Danny Elfman is a musical genius. The man really needs no introduction. But, for those who are unaware, a small sampling of his talents includes: The Simpsons, Nightmare Before Christmas, several Tim Burton films, Mission Impossible, Spider-Man, MIB, hundreds of collaborators, and that’s just abridged resumé. Batman (1989) was a groundbreaking movie at the time, and the score is iconic to say the least.
I saved an excerpt from his interview with GQ on the Batman score below because it’s simply amazing. Warner Bros. Studios wanted Elfman to collaborate with Prince to make a score for Batman. I don’t hate it, but it would have changed the movie in unimaginable ways I can’t even fathom:
I’ve never done anything harder than Batman because first off, I had to prove myself. You know, it’s like, okay, he’s the quirky comedy guy, and here I am doing like this Batman movie. Understandably, I think they were like, “uh, we need somebody who knows how to do this kind of music.” But, nobody knew what kind of music it was. There really was no superhero music. There was just Superman. And, we said we know we don’t want it to be Superman — John Williams.
And, then there was an element with the producer in the studio of wanting it to be a pop score. There was definitely this moment of like, “Danny, we want you to collaborate with Prince and co-write the score.” And I go, I can’t do that. People go, “you really said that?” I love Prince, but not for that score. I already knew what the score was, and I knew that if I collaborated, he’d be writing tunes, and I’d be orchestrating his tunes, and I would be essentially a glorified arranger rather than a composer, you know. Because he was world famous, and I was still nothing.
I had to walk away. I was so depressed. I felt like I just blew up my own career. And then a month later I got the call saying, Danny, you’re back on. It’s like this gamble paid off. But, it was a miserable period of time. On the other hand, I already heard the music in my head. I knew what it was, and I was determined that that was gonna be the score. The producer was so hard on me, John Peters, and then [they’re finally] he’s in — I think it’s the third presentation. And, I didn’t know how to do presentations.
I was playing this weird music stuff that was all like inspired, you know, crazy. And then Tim says, play the March, “play the March, play the march!” [That’s] what he called the titles. I go, “oh yeah, I got this piece here.” And of course, now I know, you lead with your headline, obviously. I didn’t really know, or understand that back then. And I put this piece of music on, and John starts conducting in his chair. And then at a certain point he stands up, and he’s going like this. [Danny waving his arms like a conductor] Tim looks at me and he’s like [Danny laughing], “yeah, we got it.”
Another fantastic episode from NYT Cooking’s Mystery Menu with Sohla and Ham. I was pleasantly surprised that processing durian and cooking it, neutralizes the aromatics, but elevates savory flavors in dishes! Also surprised to see acid and durian making a great pairing. Also, Sohla has explored some variations on the kolar pitha before, but this durian kolar pitha looks so good!
Unless YouTube has a killer app, I cannot see the reasoning behind even testing games, much less launching them to the public. Netflix has a selection of great mobile games that anyone with a subscription can download for free, and yet hardly anyone does.
If Netflix is having a hard time with their mobile game adoption, I think the writing is on the wall for this one. YouTube is going to have a difficult time competing with basically the entire web and App Store’s gigantic selection of free games.
I wonder if YouTube will make certain titles available to Premium subscribers only. Perhaps the maximum saturation of premium subscribers has been met, and product is thinking up new features for YouTube Premium.
“‘Hot Ones’ was just the dumbest idea of all time,” Schonberger said, only half-joking. “How is it, philosophically, that the dumbest idea is the best?”
“It’s like, well, we can’t just have people get drunk or high,” he went on, “but I think we can get people to eat spicy food, which might just be hilarious.”
It’s true. The best ideas, are almost exclusively the dumbest ones. Hot Ones came about at the perfect time too. Right around the same time Hot Ones was taking off, the Hot Pepper Challenges were making the rounds on YouTube and the web. Sean Evens and the show came onto the scene at the perfect time. I hope their spicy wings burn bright and strong forever 🔥
